Clarke and Hiseman are a powerful rhythm section but unfortunately, the material doesn't always live up to their promise. Written with Clem Clempson, the angle is much more progressive. "Strangeher" is a straight-up swinger, with some impressive guitar from Holdsworth but the album's closing number, "Upon Tomorrow," is the standout. Clarke handles all of the vocals for his "Grey and Black," with Williams switching to keyboards. However, Holdsworth's "Up and On" is more interesting, allowing the guitarist's distinctive technique to shine. Williams has a strong but not necessarily original voice: The track owes more than a passing reference to Jimi Hendrix (both guitar and voice). Their self-titled debut, Tempest, opens with "Gorgon," revealing the band's heavy mix of blues and rock. He had previously played in 'Igginbottom, a band that recorded an obscure (and unexciting) album for Deram Records in 1969, and had just played on Ian Carr's Belladonna album. With Paul Williams providing lead vocals, the ace in the hole was guitarist Allan Holdsworth. Following Colosseum's demise after their US tour in 1971, drummer Jon Hiseman retained bassist Mark Clarke for his next project: the considerably hard-rocking Tempest.
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